When I was visiting Portugal in 2025 I saw an informal Choro group at bar Tipica de Alfama. I had my descant recorder with me and back at the apartment I played some choro on that. I decided that recorder, while rarely encountered in the standard choro tracks I have come across, is a great choro instrument. The reason is that it encourages quite a bit of subtlety in both articulation and dynamics, notwithstanding its quite small dynamic range. See what you think.
I am also experimenting with adding improvisatory touches, while being conscious that the choro genre demands that improvisation should be done with great sensitivity to the style of the genre.
Â
“Doce de Coco” means “Coconut Sweet”. It is indeed a beautiful, sweet choro by Jacob do Bandolim. The excellent backing is from Fermata do Brasil / Rio Musical Lida (1951) as supplied by Choro Playbacks.
Â

Choro night at Tipica do Alfama





